We don't have to look back at da Vinci's work and Albert Einstein's work and Mozart's work. We're actually living in the time period that David Lynch is creating his art. We're so lucky.

The most common thing over the years is, 'What's it like to work with David Lynch?' That's absolutely the fascination, whether it's people that are in the industry or it's just diehard fans. Because he's our modern-day master. We're lucky enough to be alive at the time that an absolute master and genius is working.

'Twin Peaks' was incredibly slow, methodic, taking shots that were uncomfortably long, with a lot of scenes where there was barely any dialogue. 'Riverdale' has a much faster pace.

I didn't follow big box office ideas. That eventually led me to witches. It's led me to find interesting roles.

I have a good relationship with Lifetime.

That was the beauty of 'Twin Peaks.' The young people had just as deep of storylines as the older generation in town.

Back in the mid '90s, I went to a film festival, and they were airing 'Central Park West' at the same time as this cute little romantic comedy movie called 'French Exit,' and I got to go from one theater where I was goofy, falling over myself, to this kind of evil vixen kind of character.

I am so lucky that throughout my career I've been able to play such different characters.

I have played a lot of roles in my career where I'm the sexual interest. I'm always having to fight that.

I am lucky enough to be married to a personal trainer. He's able to whip me into shape pretty quickly.